Uchihashi Kazuhisa and Ryoko Ono: “001”
Ryoko Ono on saxophone, and Uchihashi Kazuhisa on daxophone, an instrument developed in the 1980s. On this track, wildly assertive playing,...
Malcolm Sutton
Malcolm Sutton lives in Toronto. His fiction has appeared in Maisonneuve and Joyland, and his writing on art has appeared in C Magazine and Border Crossings. He is the Founding Editor of The Coming Envelope journal of innovative prose, and the Fiction Editor at BookThug Press. Learn more about his novel Job Shadowing and other work at https://malcolmsutton.wordpress.com/writing/.
Karen Ng’s “Day 3 i”
It’s difficult to know what analogy works to describe Karen Ng’s stunning solo saxophone recordings: a thought process, a dialogue with...
Punk Kong’s “Pull Ninja”
Unusual soundscapish jazz takes noisy turns, distorted climbs, and opens to beautiful spaces. Pull Ninja by Punk Kong
Geir Sundstøl’s “Warszawa-Alabama”
Very unexpected coupling of Coltrane and Bowie. Brødløs by Geir Sundstøl
Luke Stewart / Patrick Shiroishi, “Staying Human”
Long tones, voluminous room sound (parking garage!), spare and grand, maybe scary, maybe consoling. Luke Stewart / Patrick Shiroishi by Luke...
Kim Myhr’s “You|Me”
Ambient becomes prominent, background to the fore, patterns and unexpected disruptions, in Kim Myhr’s You | Me. You | me by Kim...
Alcorn, Bordreuil, and Laubrock: “Indigo Blue (Wayfarin Stranger)”
Susan Alcorn, Leila Bordreuil, and Ingrid Laubrock – pedal steel, cello, and saxophone – create an otherworldly sense of summer. Bird Meets...
Scott Clark’s “Quiet Friend”
From a solo album by percussionist/composer Scott Clark: “Quiet Friend” begins and continues with long, warm waves of harmonica. Companion drums...
Bloop’s “Enchantments”
Lina Allemano plays trumpet and Mike Smith does live processing of the sound. The effects are magical: multiplication, sound shadows, parallel...
Jonas Cambien Trio “Creationism”
Jonas Cambien Trio’s “Creationism” is like residue from “Pump up the Jam” discovered on a log or beside a pond. Sounds...