Chenaux’s Say Laura is tender confections
Pleased to see Eric Chenaux play in Glasgow recently at the Glad Café with Ailbhe nic Oireachtaigh. Chenaux’s new album Say Laura (on Constellation) with Ryan Driver is a...
Pleased to see Eric Chenaux play in Glasgow recently at the Glad Café with Ailbhe nic Oireachtaigh. Chenaux’s new album Say Laura (on Constellation) with Ryan Driver is a...
Very happy to be listening to Dublin composer and improviser Ailbhe nic Oireachtaigh, now based in Glasgow. This gorgeous track purposelessness calls to mind Norwegian hardanger songs, bent by...
One of our favourite record labels, Rat-drifting (based in Toronto and France), recently re-launched on BandCamp after a few years of rest. The other day three new records came...
Bells and bell-like sounds and cymbals, and other metal sounds, a searching piano and everything slowed down to a pace of uncertainty; in the middle the double bass like...
Joy with ferocity. Rattling drums and dirty electric guitar feels like punk opera unwound and bent. Recorded live in Portland, Duo Damage, Vol I is loud and distorted in...
Allison Cameron brought this release by Stephen Chase’s mon se taire truc editions to our attention. A tribute to Scratch Orchestra original Carole Finer and a fundraiser for Resonance...
Here’s a composed piece for the Rubber Band Quartet from Toronto improviser and composer Allison Cameron. It’s strange and particular music, radical but gentle, emerging from mundane materials, amplification,...
Joe Posset of Newcastle does wonderful things with a mini-casette recorder. He’s turned it into a musical instrument to improvise with, as well as a compositional material or a...
It’s nice to hear Robert Wyatt’s voice again, particularly with some heavy guitar licks. I missed this 2020 release when it came out. Halvorson here working also with Amirtha...
A five-member ensemble, led by trumpet player/composer Susana Santos Silva. Unexpected fusions, often signalled by Hugo Raro’s synthesizer work, take to the listener to places of memory—now Radiohead, now...
A special session with Endlings (Ravon Chacon + John Dieterich [of Deerhoof]). Endlings have performed a work specially for Unusual Music Exchange in partnership with CJTR, Dunlop Art Gallery,...
In this episode Josh and Martin listen to Lemon Kittens, Shaggs, Junko, and the Kyoto Imperial Court Orchestra. After the break Josh and Jaye listen to Homo Monstrous, Forced...
This episode is with video artist Renée Lear, who has taken an unusual interest in unusual music. We listen to and discuss unusual music from Ween and Clown Core...
Listen to the music of Martin Arnold, Rudolf Komorous, Archie Shepp, Jessie Mae Hemphill, and Nightjars. Martin is a brilliant thinker on the wonderful and the psychedelic, and he...
Ryoko Ono on saxophone, and Uchihashi Kazuhisa on daxophone, an instrument developed in the 1980s. On this track, wildly assertive playing, competing rhythms, competing repetitions, noisy intrusions that linger...
How guitars and banjo can be so themselves and so strange at the same time. Experimental composition with the energy of rock. The Allison Cameron Band by The Allison...
A strange correspondence of quasi-monody with timbral and spectral improbability. Banjo and analogue synth. Also notice how the resonant frequencies of the banjo change. Golden Melody Awards by Golden...
Andrew Wedman has invented a new instrument: the bass piano. It’s a regular piano but it’s tuned down. The detuning though, changes the character of the instrument radically, and...
Serious as philosophy, loose as sleep, sweet as raspberries blown in a bubble bath. It’s Eric Chenaux on guitalele and toe-synth (a homemade synthesiser played with the toes) and...
Artemis of Colour by April Aliermo puts recordings of breath and the voice into dialogue with gorgeously rich oscillators. Some wild binaural stuff at times. Hear Aliermo as part...