Mary Halvorson’s Code Girl w/ Robert Wyatt
It’s nice to hear Robert Wyatt’s voice again, particularly with some heavy guitar licks. I missed this 2020 release when it...
experimental
Susana Santos Silva Impermanence’s “The Ocean Inside a Stone”
A five-member ensemble, led by trumpet player/composer Susana Santos Silva. Unexpected fusions, often signalled by Hugo Raro’s synthesizer work, take to...
“Crushingly horrible, hilarious, and stupid” w/ Raven Chacon and John Dieterich (Endlings)
A special session with Endlings (Ravon Chacon + John Dieterich [of Deerhoof]). Endlings have performed a work specially for Unusual Music...
Punkish w/ Martin Arnold and Jaye Kovach
In this episode Josh and Martin listen to Lemon Kittens, Shaggs, Junko, and the Kyoto Imperial Court Orchestra. After the break...
We love trippy: Listening with Renée Lear
This episode is with video artist Renée Lear, who has taken an unusual interest in unusual music. We listen to and...
Psychedelic & wonderful listening with Martin Arnold
Listen to the music of Martin Arnold, Rudolf Komorous, Archie Shepp, Jessie Mae Hemphill, and Nightjars. Martin is a brilliant thinker...
Uchihashi Kazuhisa and Ryoko Ono: “001”
Ryoko Ono on saxophone, and Uchihashi Kazuhisa on daxophone, an instrument developed in the 1980s. On this track, wildly assertive playing,...
Allison Cameron Band: “Guitars”
How guitars and banjo can be so themselves and so strange at the same time. Experimental composition with the energy of...
Golden Melody Awards
A strange correspondence of quasi-monody with timbral and spectral improbability. Banjo and analogue synth. Also notice how the resonant frequencies of...
Bass piano sounds like wind chimes of dreams
Andrew Wedman has invented a new instrument: the bass piano. It’s a regular piano but it’s tuned down. The detuning though,...
Guayaveras are sweet…and Rat-drifting relaunches on Bandcamp!
Serious as philosophy, loose as sleep, sweet as raspberries blown in a bubble bath. It’s Eric Chenaux on guitalele and toe-synth...
Strange sound colours: April Aliermo
Artemis of Colour by April Aliermo puts recordings of breath and the voice into dialogue with gorgeously rich oscillators. Some wild...
Karen Ng’s “Day 3 i”
It’s difficult to know what analogy works to describe Karen Ng’s stunning solo saxophone recordings: a thought process, a dialogue with...
Punk Kong’s “Pull Ninja”
Unusual soundscapish jazz takes noisy turns, distorted climbs, and opens to beautiful spaces. Pull Ninja by Punk Kong
Geir Sundstøl’s “Warszawa-Alabama”
Very unexpected coupling of Coltrane and Bowie. Brødløs by Geir Sundstøl
Luke Stewart / Patrick Shiroishi, “Staying Human”
Long tones, voluminous room sound (parking garage!), spare and grand, maybe scary, maybe consoling. Luke Stewart / Patrick Shiroishi by Luke...
Kim Myhr’s “You|Me”
Ambient becomes prominent, background to the fore, patterns and unexpected disruptions, in Kim Myhr’s You | Me. You | me by Kim...
Alcorn, Bordreuil, and Laubrock: “Indigo Blue (Wayfarin Stranger)”
Susan Alcorn, Leila Bordreuil, and Ingrid Laubrock – pedal steel, cello, and saxophone – create an otherworldly sense of summer. Bird Meets...
Scott Clark’s “Quiet Friend”
From a solo album by percussionist/composer Scott Clark: “Quiet Friend” begins and continues with long, warm waves of harmonica. Companion drums...
Number Seven by Dos
Mike Watt and Kira Roessler’s project Dos scratches an itch I didn’t know I had. Two bass guitars with weird riffs...