White People Killed Them
Violent, joyful, full of activity and energy. This is Raven Chacon, John Dieterich, and Marshall Trammell on Sige Records. White People Killed Them by WHITE PEOPLE KILLED THEM
Violent, joyful, full of activity and energy. This is Raven Chacon, John Dieterich, and Marshall Trammell on Sige Records. White People Killed Them by WHITE PEOPLE KILLED THEM
A five-member ensemble, led by trumpet player/composer Susana Santos Silva. Unexpected fusions, often signalled by Hugo Raro’s synthesizer work, take to the listener to places of memory—now Radiohead, now...
A special session with Endlings (Ravon Chacon + John Dieterich [of Deerhoof]). Endlings have performed a work specially for Unusual Music Exchange in partnership with CJTR, Dunlop Art Gallery,...
In this episode Josh and Martin listen to Lemon Kittens, Shaggs, Junko, and the Kyoto Imperial Court Orchestra. After the break Josh and Jaye listen to Homo Monstrous, Forced...
This episode is with video artist Renée Lear, who has taken an unusual interest in unusual music. We listen to and discuss unusual music from Ween and Clown Core...
Listen to the music of Martin Arnold, Rudolf Komorous, Archie Shepp, Jessie Mae Hemphill, and Nightjars. Martin is a brilliant thinker on the wonderful and the psychedelic, and he...
Ryoko Ono on saxophone, and Uchihashi Kazuhisa on daxophone, an instrument developed in the 1980s. On this track, wildly assertive playing, competing rhythms, competing repetitions, noisy intrusions that linger...
How guitars and banjo can be so themselves and so strange at the same time. Experimental composition with the energy of rock. The Allison Cameron Band by The Allison...
A strange correspondence of quasi-monody with timbral and spectral improbability. Banjo and analogue synth. Also notice how the resonant frequencies of the banjo change. Golden Melody Awards by Golden...
Andrew Wedman has invented a new instrument: the bass piano. It’s a regular piano but it’s tuned down. The detuning though, changes the character of the instrument radically, and...
Serious as philosophy, loose as sleep, sweet as raspberries blown in a bubble bath. It’s Eric Chenaux on guitalele and toe-synth (a homemade synthesiser played with the toes) and...
Artemis of Colour by April Aliermo puts recordings of breath and the voice into dialogue with gorgeously rich oscillators. Some wild binaural stuff at times. Hear Aliermo as part...
It’s difficult to know what analogy works to describe Karen Ng’s stunning solo saxophone recordings: a thought process, a dialogue with the self, a creator reacting to her moment-by-moment...
Unusual soundscapish jazz takes noisy turns, distorted climbs, and opens to beautiful spaces. Pull Ninja by Punk Kong
Very unexpected coupling of Coltrane and Bowie. Brødløs by Geir Sundstøl
Long tones, voluminous room sound (parking garage!), spare and grand, maybe scary, maybe consoling. Luke Stewart / Patrick Shiroishi by Luke Stewart / Patrick Shiroishi
My goodness, this carnatic / Hindustani collaboration is full of life. These singers are fried and sweet. Not sure who the band is, but they are wonderful as well....
Juana Molina makes some of the strangest and most beautiful pop music we have heard. The layered subtly de-tuned harmony here and the recording…oooo! Wed 21 by Juana Molina
Ambient becomes prominent, background to the fore, patterns and unexpected disruptions, in Kim Myhr’s You | Me. You | me by Kim Myhr
Susan Alcorn, Leila Bordreuil, and Ingrid Laubrock – pedal steel, cello, and saxophone – create an otherworldly sense of summer. Bird Meets Wire by Susan Alcorn, Leila Bordreuil, Ingrid Laubrock