Just music
This month it’s mostly listening. We listen to Allison Cameron, Powerdove, Semay Wu, Jon Hassell, Ailbhe nic Oireachtaigh, Eric Chenaux, and Raven Chacon and Marc Sabat…not necessarily in that...
This month it’s mostly listening. We listen to Allison Cameron, Powerdove, Semay Wu, Jon Hassell, Ailbhe nic Oireachtaigh, Eric Chenaux, and Raven Chacon and Marc Sabat…not necessarily in that...
Announcing AI for Students, a book about using generative AI large-language models (LLMs) in education. This books starts with the basics of a critique and continues to describe a...
The music of Natalia Beylis is deceptively simple and very unusual. The Ukranian-American-Irish composer, speaks with host Josh Thorpe about her work with field recordings, found objects, tape collage,...
In this interview Matana Roberts and host Josh Thorpe, we discuss and listen to some excerpts of Roberts’ new release on Constellation Records… it’s Coin Coin Chapter 5 (as...
Welsh harpist Rhodri Davies speaks with host Josh Thorpe about the telyn rawn, a horse-hair harp Davies made and performs with. We listen to a short work on this...
This episode Josh Thorpe listens to a few recordings from musicians and artists discovered at Glasgow’s Counterflows festival. Artists include an English-Ugandan collaboration w/ Rian Treanor and Ocen James;...
Unusual Music editor Josh Thorpe launches his new album with Toronto’s Ur Audiovisual. Honey, Thorpe’s 5th album, is DIY pop with a taste for unusual sounds. Honey by Josh...
Poor Isa (Frederik Leroux and Ruben Machtelinckx), “let’s drink the sea and dance”: I sometimes return to a piece of music over and over without knowing why. A return...
Violent, joyful, full of activity and energy. This is Raven Chacon, John Dieterich, and Marshall Trammell on Sige Records. White People Killed Them by WHITE PEOPLE KILLED THEM
It’s difficult to know what analogy works to describe Karen Ng’s stunning solo saxophone recordings: a thought process, a dialogue with the self, a creator reacting to her moment-by-moment...
It’s unusual to hear deviations from standard tuning in popular music. Ariana Grande and her group do it so sweetly here. View this post on Instagram A post shared...
“Dance of Dirty Leftovers” by Goat Girl lays easygoing dissonant chords over a psychedelic swirl. Goat Girl by Goat Girl