Martin Arnold on subtle arts
New radio show with ResonanceFM. First episode is a collage of previous exchanges with Martin Arnold on the Codex Chantilly, Sublime...
experimental
Martin Arnold: Stain Ballads
Strange meandering lines that I wish would go forever. They kinda do. Arnold says: “I’ve always maintained that all the music...
Step into sound w/ Liu and Martin-Gray
These two tracks called Socks and Sandals are lovely buzzing and crackling things. A ticklish kind of sound in the ear...
Loving strange tones from Karen Ng and Scott Thomson
These sounds are so themselves and so otherworldy. Idiomatic and yet surprising at the same time. Lovely. And lovely in that...
Sylvie Courvoisier and Mary Halvorson’s Searching for the Disappeared Hour
Halvorson on guitar and Courvoisier on piano work magic together. The timbre of the guitar, so similar at times to the...
Chenaux’s Say Laura is tender confections
Pleased to see Eric Chenaux play in Glasgow recently at the Glad Café with Ailbhe nic Oireachtaigh. Chenaux’s new album Say...
The wild viola of Ailbhe nic Oireachtaigh
Very happy to be listening to Dublin composer and improviser Ailbhe nic Oireachtaigh, now based in Glasgow. This gorgeous track purposelessness...
Rat-drifting launches 3 new titles
One of our favourite record labels, Rat-drifting (based in Toronto and France), recently re-launched on BandCamp after a few years of...
Alister Spence/Joe Williamson/Christopher Cantillo – “Opening”
Bells and bell-like sounds and cymbals, and other metal sounds, a searching piano and everything slowed down to a pace of...
Ecstatic noise w/ Marshall Trammell and Tashi Dorji
Joy with ferocity. Rattling drums and dirty electric guitar feels like punk opera unwound and bent. Recorded live in Portland, Duo...
Banjo Music for Carole Finer
Allison Cameron brought this release by Stephen Chase’s mon se taire truc editions to our attention. A tribute to Scratch Orchestra...
Bands of Rubber from Allison Cameron
Here’s a composed piece for the Rubber Band Quartet from Toronto improviser and composer Allison Cameron. It’s strange and particular music,...
Dictaphone delights w/ Joe Posset
Joe Posset of Newcastle does wonderful things with a mini-casette recorder. He’s turned it into a musical instrument to improvise with,...
Mary Halvorson’s Code Girl w/ Robert Wyatt
It’s nice to hear Robert Wyatt’s voice again, particularly with some heavy guitar licks. I missed this 2020 release when it...
Susana Santos Silva Impermanence’s “The Ocean Inside a Stone”
A five-member ensemble, led by trumpet player/composer Susana Santos Silva. Unexpected fusions, often signalled by Hugo Raro’s synthesizer work, take to...
“Crushingly horrible, hilarious, and stupid” w/ Raven Chacon and John Dieterich (Endlings)
A special session with Endlings (Ravon Chacon + John Dieterich [of Deerhoof]). Endlings have performed a work specially for Unusual Music...
Punkish w/ Martin Arnold and Jaye Kovach
In this episode Josh and Martin listen to Lemon Kittens, Shaggs, Junko, and the Kyoto Imperial Court Orchestra. After the break...
We love trippy: Listening with Renée Lear
This episode is with video artist Renée Lear, who has taken an unusual interest in unusual music. We listen to and...
Psychedelic & wonderful listening with Martin Arnold
Listen to the music of Martin Arnold, Rudolf Komorous, Archie Shepp, Jessie Mae Hemphill, and Nightjars. Martin is a brilliant thinker...
Uchihashi Kazuhisa and Ryoko Ono: “001”
Ryoko Ono on saxophone, and Uchihashi Kazuhisa on daxophone, an instrument developed in the 1980s. On this track, wildly assertive playing,...